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DIRECTOR OF PHOTOGRAPHY
Telling stories through images – true stories about people and the regions they live in – has fascinated him since an early age and shaped his career choice: director of photography.
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DIRECTOR OF PHOTOGRAPHY
Following his graduation from the University of TV and Film Munich in 1985, Waldemar Hauschild has always been a close collaborator to DENKmal-Film.
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DIRECTOR OF PHOTOGRAPHY
Pauli Hien’s love for animals was predestined. He grew up on a farm and spent a lot of time examining the diverse range of “personnel” with his camera.
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EDITOR
Since 1998 Melanie Singer works as a freelance editor - primarily for fictional formats - on projects such as “Die Schlikkerfrauen” (directed by Uwe Janson), “Danni Lowinski”, “Die Superbullen” (produced by Bernd Eichinger) or “Aschenputtel” (ARD).
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CO-EDITOR
„Fear“ and „Blue Eyed“, which he edited for DENKmal-Film in 1996, were Uwe Klimmeck’s first documentaries – he remained faithful to the genre, even throughout his six years abroad in the United States.
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ASSISTANT EDITOR
After studying film and media design in Linz, Austria, Doris Musikar interned with DENKmal-Film, where her competent work made her an indispensable part of the team.
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MUSIC
Music has always had a prominent place in Sami Hammi‘s life.
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SOUND
In 1993 he bought a professional camera with his first self-earned money – since then he has been infected with the film virus.
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POST PRODUCTION
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COLOR CORRECTION
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SOUND MIXING
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LINE PRODUCER
Eva Linke had worked in the management sector of a large post-production company for many years. Because money isn’t everything, she decided to join DENKmal-Film in 2010.
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PRODUCTION MANAGER
After her degree in media and communication studies, Jelka Hauschild interned with DENKmal-Film and was subsequently hired as a production manager.
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ASSISTANT LINE PRODUCER
As a graduate of the Berlin British School and the University of Southampton (BA Film), Alyssa Koske has no trouble providing advice on any questions regarding the English language.
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IT / WEBDESIGN
After his degree in electrical engineering, Alexander Kietzmann decided to shift his focus into a more creative direction.
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COOPERATION
He provided the idea to this film and acted as a door-opener to the Royal Household, organized filming permits and accompanied the project with the utmost commitment from beginning to end.